Doctor Atomic
Adams, John
Responsief blok lib/tran/syn
Doctor Atomic Libretto
SYSTEMFIRST ACT
SYSTEMScene 1
(The laboratory of the Manhattan Project
at Los Alamos, New Mexico. June 1945)
CHORUSWe believed that
CHORUS"Matter can be neither
CHORUScreated nor destroyed
CHORUSbut only altered in form."
CHORUSWe believed that
CHORUS"Energy can be neither
CHORUScreated nor destroyed
CHORUSbut only altered in form."
CHORUSBut now we know
CHORUSThat energy
CHORUSmay become matter,
CHORUSand now we know that
CHORUSmatter may become energy
CHORUSand thus be altered in form.
CHORUSThe end of June 1945 finds us
CHORUSexpecting from day to day
CHORUSto hear of the explosion
CHORUSof the first atomic bomb
CHORUSdevised by man.
CHORUSAll the problems are believed
CHORUSto have been solved
CHORUSat least well enough
CHORUSto make a bomb practicable.
CHORUSA sustained neutron chain reaction
CHORUSresulting from nuclear fission
CHORUShas been demonstrated;
CHORUSproduction plants of several
CHORUSdifferent types are in operation,
CHORUSbuilding a stock pile
CHORUSof the explosive material.
CHORUSWe do not know when the first
CHORUSexplosion will occur
CHORUSnor how effective it will be.
CHORUSThe devastation from a single bomb
CHORUSis expected to be comparable to that
CHORUSof a major air raid by usual methods.
CHORUSA weapon has been developed
CHORUSthat is potentially destructive
CHORUSbeyond the wildest nightmares
CHORUSof the imagination;
CHORUSa weapon so ideally suited
CHORUSto sudden unannounced attack
CHORUSthat a country's major cities
CHORUSmight be destroyed overnight
CHORUSby an ostensibly friendly power.
CHORUSThis weapon has been created
CHORUSnot by the devilish inspiration
CHORUSof some warped genius
CHORUSbut by the arduous labor
CHORUSof thousands of normal men and women
CHORUSworking for the safety of their country.
TELLERFirst of all, let me say
TELLERthat I have no hope
TELLERof clearing my conscience.
TELLERThe things we are working on
TELLERare so terrible
TELLERthat no amount of protesting
TELLERor fiddling with politics
TELLERwill save our souls.
OPPIE"The soul is a thing so impalpable,
OPPIEso often useless,
OPPIEand sometimes so embarrassing
OPPIEthat at this loss I felt
OPPIEonly a little more emotion
OPPIEthan if, during a walk,
OPPIEI had lost my visiting card."
TELLERI've found a new difficulty
TELLERwith the latest design of the Super.
TELLERBut since I haven't thought it through yet,
TELLERI would rather talk about it later.
OPPIETalk about it now.
TELLERNo.
OPPIE"Home stretch measures," Edward.
OPPIE"Ruthless, brutal people must
OPPIEband together to force the
OPPIEFat Man components to dovetail in
OPPIEtime and space."
OPPIEThe cowpuncher committee
OPPIEhas a mandate to "ride herd"
OPPIEon the implosion program.
CHORUSWe surround the plutonium core
from thirty two points
CHORUSspaced equally around its surface,
the thirty-two points
CHORUSare the centers of the
CHORUStwenty triangular faces
CHORUSof an icosahedron
CHORUSinterwoven with the
CHORUStwelve pentagonal faces
CHORUSof a dodecahedron.
CHORUSWe squeeze the sphere.
CHORUSBring the atoms closer.
CHORUSTil the subcritical mass
CHORUSgoes supercritical.
CHORUSWe disturb the stable nucleus.
OPPIEWe are bedeviled
OPPIEby faulty detonators.
OPPIEOne detonator fizzles
OPPIEor goes off a millionth of a second
OPPIEtoo early or too late.
TELLERIt ruins the symmetry of
TELLERthe Gadget's nuclear guts…
OPPIENo more quibbling
OPPIEover the plutonium core.
TELLER…and we've got a misfire.
OPPIEIt will be a solid ball.
OPPIEWe have you to thank for that, Edward.
OPPIEWe'll kickstart the reaction
OPPIEwith a modulated initiator.
TELLERLet me apologize for my rudeness.
TELLERI dislike group meetings.
OPPIEOkay.
OPPIEYou don't want to return to the meetings?
OPPIEYou don't have to.
OPPIEI'll talk with you about your group's work
OPPIEby yourself.
TELLERI received this letter
TELLERfrom my friend Leo Szilard.
OPPIESzilard's a bright fellow,
OPPIEkind of a busy-body,
OPPIEbut very bright.
reading Szilard's letter
CHORUS"Many of us are inclined to say
CHORUSthat individual Germans
CHORUSshare the guilt for acts
CHORUSwhich Germany committed during this war
CHORUSbecause they did not raise their voices
CHORUSin protest against those acts.
CHORUSTheir defense that their protest
CHORUSwould have been of no avail
CHORUShardly seems acceptable,
CHORUSeven though these Germans
CHORUScould not have protested without
CHORUSrunning risks
CHORUSto life and liberty.
CHORUSWe scientists,
CHORUSworking on 'atomic power',
CHORUSare in a position
CHORUSto raise our voices
CHORUSwithout such risks,
CHORUSeven though we might incur
CHORUSthe displeasure of those who
CHORUSare at present in charge.
CHORUSThe people of the United States
CHORUSare unaware of the choice we face.
CHORUSAnd this only increases
CHORUSour responsibility in this matter.
CHORUSWe alone who have worked
CHORUSon 'atomic power'-- we alone are in a position
CHORUSto declare our stand."
OPPIEI think it improper
OPPIEfor a scientist
OPPIEto use his prestige
OPPIEas a platform
OPPIEfor political pronouncements.
OPPIEThe nation's fate
OPPIEshould be left in the hands
OPPIEof the best men in Washington.
OPPIEThey have the information which
OPPIEwe do not possess.
OPPIEMen like Marshall,
OPPIEa man of great humanity and intellect--
OPPIEit is for them to decide, not us.
WILSONActually, I'm organizing
WILSONa small meeting at our building. The title is
WILSON"The Impact of the Gadget on Civilization."
OPPIEI saw the announcement.
OPPIEI'd like to persuade you not to have it.
OPPIEI feel that such a discussion in the lab,
OPPIEin the technical area,
OPPIEis quite inconsistent with what
OPPIEwe talk about there.
WILSONThese questions are not technical questions,
WILSONbut political and social questions,
WILSONand the answers given to them
WILSONmay affect all mankind for generations.
WILSONIn thinking about them
WILSONthe men on the project
WILSONhave been thinking as citizens
WILSONof the United States
WILSONvitally interested in the welfare
WILSONof the human race.
OPPIEI might warn you-- you could get in trouble
OPPIEif you hold such a meeting.
WILSONFrom radical to establishment figure
WILSONin two easy stages!
OPPIEIsn't it better that I have
OPPIEa voice within the government?
WILSONThis is a petition.
WILSON"To the President of the United States:
WILSONWe, the undersigned scientists,
WILSONhave been working in the field
WILSONof atomic power.
WILSONUntil recently we have had to fear
WILSONthat in this war the United States
WILSONmight be attacked
WILSONby atomic bombs,
WILSONand that her only defense
WILSONmight lie in a counterattack
WILSONby the same means.
WILSONToday, with the defeat of Germany,
WILSONthis danger is averted,
WILSONand we feel impelled
WILSONto say what follows…"
interrupting
TELLERThe machinery has caught us in its trap…
WILSON... and we can't stop now.
WILSONYou want to know if it works.
continues reading from the petition
WILSON"…Atomic bombs
WILSONmay well be effective warfare.
WILSONBut attacks on Japan
WILSONcannot be justified until we make clear
WILSONthe terms of peace
WILSONand give them a chance to surrender."
OPPIEWhat do we know about
OPPIEJapanese psychology?
OPPIEHow can we scientists
OPPIEjudge the way to end the war?
WILSONWe must first devise a demonstration.
WILSONWhere there won't be any people.
WILSONNot on a city. Or a demonstration
WILSONright here in the desert.
WILSONLet them send observers…
WILSONsee for themselves.
OPPIEWhat if it's a dud?
TELLEREvery time we test it something goes wrong.
TELLERSome component is failing.
OPPIEThe Gadget Divison…
OPPIEit's been thrown into turmoil.
OPPIEYesterday we had blisters,
OPPIEblisters on the spheres' surface,
OPPIEinfinitesimal,
OPPIEbut large enough to cause a fatal misfit
OPPIEbetween the hemispheres.
WILSONEverybody is rushing around.
WILSONThey don't appear to be ready.
WILSONBut there's momentum.
WILSONEverybody's working day and night.
WILSONNobody has a spare moment
WILSONand we work like dogs.
WILSONIt's hard to stop and think
WILSONas one ought to.
OPPIEWell, how do you feel?
WILSONWell, pretty excited.
WILSONLike going out to save civilization.
OPPIEThe test must go on as scheduled.
OPPIEGroves has talked with Conant
OPPIEand the "upper crust" in Washington.
OPPIEDoctor Stearns described the work
OPPIEthey've already done on target selection.
OPPIEIt was agreed that psychological factors
OPPIEin selecting the targets
OPPIEare of great importance.
CHORUSKyoto.
CHORUSPopulation, one million.
CHORUSAn intellectual center.
CHORUSClassified double-A target.
CHORUSNagasaki: a secondary target.
CHORUSYokohama. Nagoya. Fukuoka. Hiroshima.
to Oppie
TELLERYou used your scientific stature
TELLERto give political advice
TELLERin favor of immediate bombing?
OPPIEI explained that the visual effect
OPPIEof an atomic bombing would be tremendous.
OPPIEA brilliant luminescence
rising to a height of up to twenty thousand feet.
OPPIEThe neutron effect of the explosion
OPPIEwould be dangerous to life
OPPIEfor a radius of at least
OPPIEtwo-thirds of a mile, a brilliant luminescence.
TELLEROur only hope is
TELLERto convince everybody
TELLERthat the next war will be fatal.
TELLERFor this purpose actual combat use
TELLERmight be the best thing.
WILSONNo. Before the bomb is used
WILSONJapan must have some warning.
WILSONA couple of days in advance.
WILSONIt's our position as a great
WILSONhumanitarian nation.
WILSONIt's the fair play of our people.
in counterpoint with the following chorus
OPPIEThe Secretary of War concludes--
that we cannot give the Japanese
OPPIEany warning;
OPPIEthat we should seek to make a profound
OPPIEpsychological impression
OPPIEon as many inhabitants as possible.
OPPIEDoctor Conant suggests
OPPIEa vital war plant as
OPPIEthe most desirable target,
OPPIEemploying a large number of workers
OPPIEand closely surrounded by worker's houses.
continuing to read the petition
MALE CHORUS"A nation which sets the precedent
MALE CHORUSof using these newly liberated forces of nature
MALE CHORUSfor purposes of destruction
MALE CHORUSmay have to bear responsibility
MALE CHORUSof opening the door to an era of devastation
MALE CHORUSon an unimaginable scale".
OPPIETruman will never see that petition.
OPPIESecurity officials will deem it
OPPIEa superfluous document
OPPIEin light of the decisions
OPPIEbeing made at highest levels.
OPPIEI've already told them in Washington
OPPIEthat several strikes would be feasible.
WOMEN'S CHORUSAll the resources of the United States,
WOMEN'S CHORUSmoral and material,
WOMEN'S CHORUSmay have to be mobilized
WOMEN'S CHORUSto prevent the advent of such
WOMEN'S CHORUSa world situation.
TELLERThe more decisive a weapon is
TELLERthe more surely it will be used,
TELLERand no agreements will help.
TELLERCould we have started the atomic age
TELLERwith clean hands?
SYSTEMScene 2
TELLER(Kitty and Oppie are alone in their living room.
TELLERHe is reading documents, oblivious to her)
KITTYAm I in your light?
KITTYNo, go on reading
KITTY(the hackneyed light of evening
KITTYquarreling with the bulbs;
KITTYthe book's bent rectangle
KITTYsolid on your knees)
KITTYonly my fingers in your hair,
KITTYonly, my eyes
KITTYsplitting the skull
KITTYto tickle your brain with love
KITTYin a slow caress blurring the mind,
kissing your mouth awake
KITTYopening the body's mouth
KITTYstopping the words.
KITTYThis light is thick with birds, and
KITTYevening warns us beautifully of death.
KITTYSlowly I bend over you,
KITTYslowly your breath
KITTYruns rhythms through my blood
KITTYas if I said I love you
KITTYand you should raise your head.
KITTYlistening, speaking
KITTYinto the covert night:
KITTYDid someone say something?
KITTYLove, am I in your light? Am I?
KITTYSee how love alters the living face
KITTYgo spin the immortal coin through time
KITTYwatch the thing flip through space tick, tick
OPPIE(Text taken from Baudelaire's erotic poem,
OPPIE"Un hémisphère dans une chevelure,")
OPPIELong let me inhale, deeply,
OPPIEthe odor of your hair,
OPPIEinto it plunge the whole of my face,
OPPIElike a thirsty man
OPPIEinto the water of a spring,
OPPIEand wave it in my fingers
OPPIElike a scented handkerchief,
OPPIEto shake memories into the air.
OPPIEIf you could know all that I see!
OPPIEall that I feel!
OPPIEall that I hear in your hair!
OPPIEMy soul floats upon perfumes
OPPIEas the souls of other men
OPPIEfloat upon music.
OPPIEYour hair contains an entire dream,
OPPIEfull of sails and masts;
OPPIEit contains vast seas
OPPIEwhose soft monsoons
OPPIEbear me to delightful climates
OPPIEwhere space is deeper and bluer,
OPPIEwhere the atmosphere
OPPIEis perfumed with fruit,
OPPIEwith foliage and with human skin.
OPPIEIn the ocean of your hair
OPPIEI see brief visions
OPPIEof a port resounding with
OPPIEmelancholy songs,
OPPIEof vigorous men of all nations
OPPIEand ships of all shapes
OPPIEoutlining their fine and complicated
OPPIEarchitectures
OPPIEagainst an immense sky
OPPIEwhere eternal heat
OPPIElanguidly quivers…
OPPIEIn the glowing fire-grate of your hair
OPPIEI inhale the odor of tobacco
OPPIEmingled with opium and sugar;
OPPIEin the night of your hair
OPPIEI see the infinity
OPPIEof tropical azure resplendent;
OPPIEon the downed banks of your hair
OPPIEI inebriate myself with
OPPIEthe mingled odors of tar,
OPPIEof musk and of coconut oil.
OPPIELong let me bite your heavy,
OPPIEblack tresses… it seems to me
OPPIEthat I am eating memories.
KITTYThe motive of it all was loneliness,
KITTYAll the panic encounters and despair
KITTYWere bred in fear of the lost night, apart,
KITTYOutlined by pain, alone.
KITTYPromiscuous as mercy.
KITTYFear-led and led again to fear
KITTY… toward the cave where
SYSTEMpart fire and part
KITTYPity lived in that voluptuousness
KITTYTo end one
KITTYand begin another loneliness.
KITTYThis is the most intolerable motive:
KITTYMust be given back to life again,
KITTYMade superhuman
KITTYMade superhuman, made human, out of pain
KITTYTurned to the personal,
KITTYthe pure release:
KITTYThe rings of Plato
KITTYand Homer's golden chain
KITTYOr Lenin with his cry
KITTYof Dare We Win.
KITTYThose who most long for peace
KITTYnow pour their lives on war.
KITTYOur conflicts carry
KITTYcreation and its guilt,
KITTYthese years' great arms
KITTYare full of death and flowers.
KITTYA world is to be fought for,
KITTYsung, and built:
KITTYLove must imagine the world…
SYSTEMScene 3
KITTY(The Alamogordo test site. It is early evening of the
KITTYnight before the test of "Little Boy", the first plutonium
KITTYbomb. As pressure mounts from Washington to proceed
KITTYimmediately with the test, a powerful electrical storm
KITTYhas arisen, threatening cancellation of the test. General
KITTYGroves and Oppenheimer huddle around the desk of the
KITTYchief meteorologist, Jack Hubbard. July 15, 1945)
GROVESWhat the hell is wrong with the weather?
OPPIEThe weather is whimsical.
HUBBARDThunderheads began moving
HUBBARDinto the area at 04.00 hours.
GROVESLightning…
GROVESWhat if it hits the tower
GROVESand detonates the bomb?
OPPIERain is probably ruining
OPPIEthe electrical connections.
HUBBARDGeneral, weather forecasters
HUBBARDhave opposed the test date for months...
HUBBARDit was set within a window
HUBBARDof unfavorable conditions:
HUBBARDthunderstorms, rain,
HUBBARDhigh winds, inversion layers.
HUBBARDYou overroad us, sir.
GROVESIs this insubordination?
HUBBARDNow we are onsite,
HUBBARDand conditions are exactly the worst possible,
HUBBARDwith an electrical storm threatening
HUBBARDnot just the test,
HUBBARDbut the lives of those setting it up.
GROVESFive hundred U.S. Superfortresses
GROVESare raining incendiary bombs
GROVESon four Japanese cities.
GROVESOur B-29's are destroying
GROVEShalf of every Jap city they hit.
GROVESThe President of the United States
GROVESis talking to Joe Stalin in the morning in Potsdam.
GROVESThis test will proceed as scheduled,
GROVESwith full weather compliance
GROVESor you will spend the rest of your life behind bars,
GROVESMister Meteorologist.
HUBBARDWe are seeing storm clouds coming in
HUBBARDover the Chupadera Mesa and the
HUBBARDOscuras.
GROVESI am asking for a firm prediction
GROVESas when the storm will pass.
recite phrases from the Bhagavad Gita
OPPIEI am the heat of the sun;
OPPIEand the heat of the fire am I also:
OPPIELife eternal and death.
OPPIEI let loose the rain, or withhold it.
OPPIEArjuna, I am the cosmos revealed,
OPPIEand its germ that lies hidden.
HUBBARDSir, the volatility of the season
HUBBARDmakes such prediction impossible.
GROVESSo, you are refusing to forecast
GROVESgood weather for the test?
HUBBARDI recommend we postpone the decision
HUBBARDuntil our next weather conference
HUBBARDat 2:00 a.m.
GROVESHubbard, I want a specific time.
HUBBARDAt that time,
HUBBARDI will recommend postponing the test
HUBBARDuntil 5:30 a.m.,
HUBBARDwhen the thunderstorms
HUBBARDwould be dissipated by the first rays of the sun.
GROVESI demand a signed weather forecast.
GROVESI warn you…
GROVESif you are wrong, I will hang you.
HUBBARDI'll sign the report, sir.
OPPIEIf we postpone, I'll never get my people
OPPIEup to pitch again.
OPPIEI hear Fermi
OPPIEjust rushed into the mess hall
OPPIEpleading for postponement.
OPPIEA sudden wind shift
OPPIEcould deluge the camp
OPPIEwith radioactive rain after the shot.
OPPIEThe evacuation routes are inadequate.
OPPIEIt could be a catastrophe.
GROVESIf I have to compromise security
GROVESby sending an evacuation force
GROVESinto nearby towns,
GROVESour cover's blown.
GROVESThe secret of the test
GROVESwill end up headlined
GROVESin tomorrow's newspapers.
GROVESSo far the press
GROVESis exercising voluntary censorship.
NOLANWith respect, sir,
NOLANAnyone with two good eyes
NOLANcould have found Los Alamos
NOLANjust by following the trail of beer cans
NOLANfrom Santa Fe.
NOLANBut ever since the first grams of plutonium
NOLANarrived at Los Alamos, sir,
NOLANthe medical division has been studying
NOLANthe toxic properties of the deadly metal.
NOLANIts metabolism is similar to radium:
NOLANenough of it in the human body
NOLANeats through vital tissues,
NOLANdisintegrates human kidneys
NOLANand causes fatal bone cancer.
NOLANSir, no cure has yet been found
NOLANfor the agonies that result
NOLANfrom overexposure
NOLANto fallout and radiation.
OPPIEFeelings of heat and cold,
OPPIEpleasure and pain,
OPPIEare caused by the contact of the senses
OPPIEwith their objects.
OPPIEThey come and they go, never lasting long.
OPPIEYou must accept them.
GROVESYou what?
OPPIEI said...
OPPIEWatch out for the rattelesnakes.
GROVESI have been preoccupied with many matters,
GROVESbut the prospect of fallout
GROVEShas not been high on my priority list.
GROVESNow you're telling me that we
GROVESshould be ready to evacuate Trinity?
GROVESBring in troops and trucks to get
GROVESeveryone out
GROVESat a moment's notice,
GROVESif something goes wrong?
NOLANThat could be the case, sir.
GROVESWhat are you, a Hearst propagandist?
OPPIEA serene spirit accepts pleasure and pain
OPPIEwith an even mind,
OPPIEand is unmoved by either.
OPPIEHe alone is worthy of immortality.
NOLANI'm having to double
NOLANas camp psychologist.
NOLANI keep in constant touch with a team
NOLANof psychiatrists at Oak Ridge.
NOLANSeveral of the younger scientists
NOLANare talking wildly of failure
NOLANand possible disaster.
NOLANTheir fears are threatening
NOLANto infect the rest of the camp.
NOLANTwo hours ago,
NOLANone young scientist became hysterical
NOLANand had to be removed under sedation.
GROVESThere is an air of excitement at the camp
GROVESthat I do not like.
GROVESThis is a time when calm deliberation
GROVESis most essential.
GROVESOppenheimer is getting advice
GROVESfrom all sides on what he should
GROVESor should not do.
GROVESThe best thing I can do is
GROVESintroduce as much of an atmosphere
GROVESof calm as possible into this very
GROVEStense situation.
GROVESThe main problem is the weather.
GROVESWe have the best weathermen
GROVESthe armed forces can give us.
GROVESTheir predictions have always
GROVESbeen on the money.
GROVESThe only time they've been wrong
GROVESis right now…
GROVESon the day it counts.
GROVESGet them out of here.
GROVESFrom now on I'm making my own
GROVESweather predictions.
GROVESInterlude
OPPIEGeneral, you are bearing up
OPPIEwith remarkable fortitude.
OPPIEOnly your waistline is suffering.
GROVESI've been urged to take action.
GROVESAs child I often ate
GROVESgreat quantities of food,
GROVESSweets and choc'late, and so forth.
GROVESThis was a subject of concern to my mother
GROVESand to my stepmother.
GROVESI have here detailed diets that were,
GROVESat least in theory, intended to be followed.
GROVESI did stick to one last August and September.
GROVESYou can see my daily menus
GROVESand my weight. Here, see:
GROVESOn August 7 I weighed 227 pounds.
GROVESBy September 24 I am down to 212.
GROVESAll the menus
GROVESare meticulously drawn up,
GROVESdown to the last calorie.
GROVESIn this particular diet
GROVESthe average number of calories per day
GROVESis only one thousand twenty.
GROVESIt would hardly keep a bird alive.
GROVESBut then there's the two brownies--
GROVES200 calories
GROVESand on September 15
GROVES"3 pieces of chocolate cake--
GROVES300 calories."
GROVESYou don't look so good.
Get some sleep. I'll turn in myself.
To the duty oficer
GROVESI want Kistiakosky,
GROVESBainbridge and Officer Bush
GROVESup on that bomb tower
GROVESto prevent potential sabotage.
GROVESGoodnight.
Text taken from John Donne's Holy Sonnet
OPPIEBatter my heart,
OPPIEthree person'd God; for, you
OPPIEAs yet but knock, breathe, knock,
OPPIEbreathe, knock, breathe
OPPIEShine, and seek to mend;
OPPIEBatter my heart, three person'd God;
That I may rise, and stand, o'erthrow
OPPIEme, and bend
OPPIEyour force, to break,
OPPIEblow, break, blow,
OPPIEbreak, blow burn
OPPIEand make me new.
OPPIEBatter my heart, three person'd God; for, you
OPPIEAs yet but knock, breathe, knock,
OPPIEtreathe, knock, breathe
OPPIEShine, and seek to mend;
OPPIEBatter my heart, three person'd God;
That I may rise, and stand,
OPPIEo'erthrow me, and bend
OPPIEYour force, to break,
OPPIEblow, break, blow, break,
OPPIEblow burn and make me new.
OPPIEI, like an usurpt town, to another due,
OPPIELabor to'admit you, but oh, to no end,
OPPIEReason your viceroy in me,
OPPIEme should defend, but is captiv'd,
OPPIEand proves weak or untrue,
OPPIEYet dearly I love you, and would be lov'd fain
OPPIEBut am betroth'd unto your enemy,
OPPIEDivorce me, untie, or break that knot again,
OPPIETake me to you, imprison me, for I
OPPIEExcept you enthrall me, never shall be free,
OPPIENor ever chaste, except you ravish me.
SYSTEMSECOND ACT
SYSTEMScene 1
OPPIE(The Oppenheimer house, two hundred miles from
OPPIEthe test site. It's two am on July 16. Aria Kitty "Pacua
OPPIEEve," based on the poem "Easter Eve", by Muriel
OPPIERukeysayer 1945)
KITTYWary of time
KITTYO it seizes the soul tonight
KITTYI wait for the great morning of the west
KITTYconfessing with every breath mortality.
KITTYMoon of this wild sky struggles to stay whole
KITTYand on the water
KITTYsilvers the ships of war.
KITTYI go alone in the black-yellow light
KITTYall night waiting for day,
KITTYwhile everywhere the sure death of light,
KITTYthe leaf's sure return to the root
KITTYis repeated in million,
KITTYdeath of all man to share.
KITTYWhatever world I know shines ritual death,
KITTYwide under this moon they stand gathering fire,
KITTYfighting with flame,
KITTYstand fighting in their graves.
KITTYAll shining with life as the leaf,
KITTYas the wing shines,
KITTYthe stone deep in the mountain,
KITTYthe drop in the green wave,
KITTYLit by their energies, secretly, all things shine.
KITTYNothing can black that glow of life;
KITTYalthough each part go crumbling down
itself shall rise up whole.
KITTYNow I say there are new meanings;
KITTYnow I name death our black
KITTYhonor and feast of possibility
KITTYto celebrate casting of life on life.
KITTYThis earth-long day
KITTYbetween blood and resurrection where we wait
KITTYremembering sun,
KITTYseed, fire; remembering
KITTYthat fierce Judaean Innocent who risked
KITTYevery immortal meaning on one life.
KITTYGiven to our year
KITTYas sun and spirit are,
KITTYas seed we are blessed
KITTYonly in needing freedom.
KITTYNow I say that the peace
KITTYthe spirit needs is peace, not lack of war,
KITTYbut fierce continual flame.
KITTYFor all men: effort is freedom,
KITTYeffort's peace, it fights.
KITTYAnd along these truths
KITTYthe soul goes home,
KITTYflies in its blazing to a place
KITTYmore safe and round than Paradise.
KITTYNight of the soul,
KITTYour dreams in the arms of dreams
KITTYdissolving into eyes that look upon us.
KITTYDreams the sources of action,
KITTYthe meeting and the end,
KITTYa resting-place among the flight of things.
KITTYOrchestral Interlude.
KITTY"Lightning in the Sangre de Cristo Mountain"
KITTY(Seven month-old Katherine Oppenheimer
KITTYawakens, crying)
The Cloud-flower Lullaby
PASQUALITAIn the north the cloud-flower blossoms,
PASQUALITAAnd now the lightning flashes,
PASQUALITAAnd the now the thunder clashes,
PASQUALITAAnd now the rain comes down!
PASQUALITAA-a-aha, a-a-aha, my little one.
SYSTEMScene 2
The test site "Trinity". Midnight on 16 July 1945
WILSONIt's midnight, Jack.
WILSONThere's quite a fierce storm going on up here.
WILSONI have a certain amount of respect…
WILSONah…for that atomic bomb,
WILSONbeing right next to it.
WILSONSparks seem to be flying.
WILSONLightning is striking all around.
HUBBARDIntroducing considerations
HUBBARDthe minimum specifications
HUBBARDunder which this operation
HUBBARDcan be conducted.
HUBBARDIf you ask me, testing this thing tonight
HUBBARDis a blunder of the first magnitude.
WILSONI've got to attach this canister
WILSONto the top of the tower.
WILSON…tubes to measure the speed
WILSONof the bomb's chain reaction--
WILSONRossi and I have been rechecking
WILSONit all night.
WILSONI have to have it all turned on
WILSONand test it before
WILSONYou know, I'm really scared
WILSONabout this object here in the tower.
WILSONA short while ago
WILSONa model of the X unit
WILSONfired spontaneously in a storm.
WILSONThis weather is really something
WILSONyou don't like be around
WILSONwith a bomb nearby.
I'm leaving for my station
WILSONat North-10,000.
HUBBARDThe men in charge of monitoring
HUBBARDexpected fallout
HUBBARDare prepared for two alternatives--
HUBBARDa "North Blow" or a "South Blow."
HUBBARDIf the winds hold in their
HUBBARDcurrent position,
HUBBARDthe shelter at N-10,000
HUBBARDwill be inundated with radioactive debris.
WILSONI've dreamed the same dream
WILSONseveral nights running.
WILSONI'm almost at the top of the tower
WILSONand then I misstep,
and I'm falling,
a long, slow fall,
WILSONand each time, before I strike the ground,
WILSONI wake up sweating.
PASQUALITAIn the west the cloud-flower blossoms,
PASQUALITAAnd now the lightning flashes,
PASQUALITAAnd now the thunder clashes,
PASQUALITAAnd now the rain comes down!
PASQUALITAA-a-aha, a-a-aha, my little one.
KITTYTo the farthest west,
KITTYthe sea and the striped country
KITTYand deep in the camps among
KITTYthe wounded cities
KITTYhalf-world over, the waking dreams of night
KITTYoutrange the horrors.
KITTYPast fierce and tossing skies
KITTYthe rare desires shine
KITTYin constellation.
KITTYI hear your cries, you little voices
KITTYof children
KITTYswaying wild, nightlost,
KITTYin black fields calling.
KITTYI hear you
KITTYas the seething dreams arrive
KITTYover the sea
KITTYand past the flaming mountains.
PASQUALITAIn the south the cloud flower blossoms,
PASQUALITAAnd now the lightning flashes,
PASQUALITAAnd now the thunder clashes,
PASQUALITAAnd now the rain comes down!
PASQUALITAA-a-aha, a-a-aha, my little one.
GROVESA delay in issuing the Potsdam ultimatum
GROVEScould result in a delay in the Japanese reaction,
GROVESwith a further delay
GROVESto the atomic attack on Japan.
GROVES(Oppenheimer rolls himself one cigarette after
GROVESanother and puffs them down to the ash)
GROVESObviously, a reasonable time has to be allowed
GROVESfor the Japanese
GROVESto consider the ultimatum.
TELLERFermi is taking wagers
TELLERas to whether the bomb will
TELLERignite the atmosphere,
TELLERand if so,
TELLERwhether it will destroy
TELLERjust New Mexico
TELLERor the entire world.
GROVESI fail to appreciate your black humor,
GROVESDoctor Teller.
GROVESThis is exactly the kind of loose talk
GROVESthat might paralyze
GROVESthe enlisted men with fright.
OPPIEEdward's a great one
OPPIEfor oddball problems, General.
TELLERI asked for and have obtained
TELLERa most important assignment,
TELLERone that many consider superfluous.
TELLERThere had been some suggestions
TELLERthat we might have miscalculated,
TELLERthat the explosion could be much larger
TELLERthan we had anticipated.
TELLERMight we not be setting off
TELLERA huge chain reaction that will
TELLERencircle the globe in a sea of fire?
TELLERIt's my job to make a last check
TELLERand review.
TELLERI've spent a great deal of time
TELLERindulging in controlled fantasies,
TELLERtrying to dream up new,
TELLERundiscovered laws of nature
TELLERthat a sudden release of atomic energy
TELLERmight bring into play.
TELLERThere was a possibility
TELLERthat the test blast might touch off
TELLERa natural phenomenon
TELLERthat is not contrary
TELLERto our knowledge,
TELLERbut perhaps beyond our experience.
TELLERIn July, three years ago,
TELLERI made some of the initial
TELLERcalculations,
TELLERand my figures indicated
TELLERthat the bomb would, indeed,
TELLERcreate enough heat
TELLERto ignite the earth's atmosphere.
OPPIEYou'll remember that
OPPIEI immediately called a halt
OPPIEto those meetings.
OPPIEWe asked Bethe
OPPIEabout your numbers.
OPPIEHis calculations showed
OPPIEthat even the extreme pressures
OPPIEand temperatures
OPPIEreached in the interior of our explosion
OPPIEwill not be high enough
OPPIEto fuse the hydrogen with either
OPPIEnitrogen or helium.
OPPIEThe Gadget won't set fire to the atmosphere.
TELLERMy revised figures agree with Bethe's.
TELLERI can find no reason to believe
TELLERthe test shot will touch off
TELLERthe destruction of the world,
TELLERno reason to think that
TELLERour advance calculations
TELLERare not entirely correct.
OPPIEEdward,
OPPIEthe test will be delayed an hour or more.
TELLERThe climax
TELLERof our two-billion dollar experiment:
TELLERWill we have a "dud," a "fizzle" at
TELLERTrinity?
Everyone notices the rain
TELLERThis drizzle is bone-chilling.
TELLERHere…I've brought a bottle of suntan lotion.
TELLERPass it around.
HUBBARDThe winds have actually shifted
HUBBARDa full 360 degrees
HUBBARDin the last twelve hours.
HUBBARDThundershowers and thrity-mile-an-hour winds
HUBBARDare raking the test site.
PASQUALITAIn the east the cloud-flower blossoms,
PASQUALITAAnd now the lightning flashes…
GROVESYou are eight minutes late.
HUBBARDGeneral,
HUBBARDa night rain in a tropical air mass
HUBBARDbehaves differently from a standard
HUBBARDsouthwestern afternoon storm.
HUBBARDThis is no normal storm, sir.
HUBBARDNeither Bainbridge nor I
HUBBARDhave slept in over two days.
HUBBARDThere is still hope for a shot.
HUBBARDMaybe some time
HUBBARDbetween dawn at five A.M. and sunrise at six.
OPPIEPrepare to fire
OPPIEat five-thirty.
SYSTEMScene 3
OPPIECountdown Part I
OPPIE(The final countdown begins at 5:10 A.M. with a
OPPIEcrashing rendition of the "Star-Spangled Banner"
Just as Bainbridge gives the signal to Sam Allison
OPPIEin the control center, radio station KCBA in Delano,
OPPIECalifornia, crosses wave lengths with the Trinity
OPPIEfrequency. The station, operated by the Office of
OPPIEWar Information, opens its morning Voice of America
OPPIEbroadcast to Latin America. The National Anthem
OPPIEprovides stirring accompaniment to the countdown
OPPIEannouncement)
GROVESThe program has been plagued from the start
GROVESby the presence of certain scientists
GROVESof doubtful discretion and uncertain loyalty.
GROVESIt was agreed in Washington
GROVESthat nothing can be done
GROVESabout dismissing these men
GROVESuntil after the bomb has actually been used,
GROVESor, at best,
GROVESuntil after the test has been made.
OPPIEO yes, Time has returned;
OPPIEnow Time reigns absolute;
GROVESAfter some publicity concerning
GROVESthe weapon is out, steps should be taken
GROVESto sever these scientists from the program
GROVESand to proceed with a general weeding out
GROVESof personnel no longer needed.
OPPIE…and with the hideous old man
OPPIEthe whole of his demoniac retinue has returned,
OPPIEMemories, Regrets,
OPPIESpasms, Fears,
OPPIEAfflictions, Nightmares,
OPPIERages and Neuroses.
Five year-old Peter Oppenheimer awakens
KITTYTo keep the weakness secret.
KITTYTo keep it secret
KITTYTo deny it and break through.
KITTYIn the dream of chieftains,
KITTYthe corn distinct again
KITTYin gold-white tuft-feathers.
KITTYThe roads all paved,
KITTYstony, savage;
KITTYthe knocking in the chest resumed.
KITTYYour father has a passion for freedom
KITTYRang and rang in the small boy's head.
PASQUALITAThen word came from a runner,
PASQUALITAa stranger:
PASQUALITA"They are dancing
PASQUALITAto bring the dead back,
PASQUALITAin the mountains."
PASQUALITAWe danced at an autumn fire,
PASQUALITAwe danced the old hate and change,
PASQUALITAthe coming again of our leaders.
PASQUALITABut they did not come.
WILSONI just finished reading The Magic Mountain
WILSONby Thomas Mann
WILSONand of course
WILSONto go to this mysterious mountain
WILSONon the top of which
WILSONthere would be a secret laboratory
WILSONwhich we would go into,
WILSONthe doors would slam shut
WILSONand a few years later
WILSONwe would come out bearing
WILSONan atomic bomb…
OPPIEI assure you that now the seconds
OPPIEare strongly and solemnly
OPPIEaccentuated and each one,
OPPIEspouting out of the clock, says:
OPPIE"I am Life, insupportable,
OPPIEimplacable Life!"
PASQUALITAThe winter dawned,
PASQUALITAbut the dead did not come back.
PASQUALITANews came on the frost,
PASQUALITA"The dead are on the march!"
PASQUALITAWe danced in prison to a winter music,
PASQUALITAmany we loved
PASQUALITAbegan to dream of the dead.
PASQUALITAThey made no promises,
PASQUALITAwe never dreamed a threat.
PASQUALITAAnd the dreams spread.
KITTYAnd love which contains all human spirit, all wish,
KITTYthe eyes and hands,
KITTYsex, mouth, hair, the whole woman--
KITTYfierce peace I say at last,
KITTYand the sense of the world.
OPPIEThere is only one second in the life of men
OPPIEwhose mission it
OPPIEis to announce good news,
OPPIEthe good news which fills every man
OPPIEwith an inexplicable fear.
TELLERThe only saviors
TELLERare the ham sandwiches
TELLERand hot coffee.
TELLERWe've got an informal betting pool going.
TELLEREverybody puts in a dollar--
TELLERwhoever guesses the explosive yield
TELLERis a rich man.
OPPIEI guess 300 tons of TNT.
TELLERA very low estimate,
TELLERnot much more than thirty ten-ton
TELLERblockbuster bombs--
TELLERin other words, what you're predicting
TELLERis we'll get nothing more than a fizzle.
GROVESI confess my utter amazement
GROVESthat these scientists are glooming
GROVESover their coffee cups
GROVESabout their uncertainties
GROVESof the coming test.
TELLERThe bomb has a blackboard potential
TELLERof nearly twenty thousand tons.
TELLERThat's twenty kilotons of TNT.
OPPIENo one thinks for a minute
OPPIEwe'll achieve a yield like that.
TELLERBethe and Ulam guess small:
TELLERfive to seven kilotons.
TELLERThe scientists refuse to believe
TELLERwhat their own calculations tell them.
GROVESI confess that I am not optimistic myself.
GROVESMaybe a forty-sixty
GROVESchance of success.
TELLERI alone scoff at my colleagues' pessimism.
TELLERI pick forty-five kilotons.
Quoted from the Bhagavad Gita
CHORUSAt the sight of this,
CHORUSyour Shape stupendous,
CHORUSFull of mouths and eyes,
CHORUSfeet, thighs and bellies,
CHORUSTerrible with fangs, O master,
CHORUSAll the worlds are fear-struck,
CHORUSeven just as I am.
CHORUSWhen I see you, Vishnu, omnipresent,
CHORUSShouldering the sky,
CHORUSin hues of rainbow,
CHORUSWith your mouths agape
CHORUSand flame-eyes staring--
CHORUSAll my peace is gone;
CHORUSmy heart is troubled.
SYSTEMScene 4
CHORUSCountdown Part II
GROVESLieutenant Bush.
GROVESKeep a weather eye on Oppenheimer.
GROVESThere is concern our high-strung director
GROVESmight have a breakdown at the last minute.
TELLERThe radio connection with the control tower
TELLERis out of order, and no one really knows
TELLERwhen the bomb will go off
TELLERor where to look for it.
TELLERThe scientists are standing around in the dark
TELLERand munching candy bars as we wait
TELLERfor some divine revelation
TELLERto tell us when the shot will go.
OPPIETo what benevolent demon
OPPIEdo I owe the joy of being
OPPIEthus surrounded with mystery,
OPPIEwith silence, with peace and with perfumes?
OPPIEO beatitude!
OPPIEThat which we generally call life,
OPPIEeven when it is fullest and happiest,
OPPIEhas nothing in common
OPPIEwith that supreme life
OPPIEwith which I am now acquainted
OPPIEand which I am tasting
OPPIEminute by minute, second by second!
OPPIENo! there are no more minutes,
OPPIEthere are no more seconds!
OPPIETime has disappeared;
OPPIEit is Eternity that reigns now!
OPPIE(A green rocket arches in the sky to the south, slowly
OPPIEdescends, flashes briefly, then dims and vanishes in
OPPIEthe blackness. A siren sounds)
OPPIEThat's their signal.
OPPIEThe shot will go in five minutes.
Everyone should take his place in the trenches.
HUBBARDThe sky is clear to the east
HUBBARDand over Ground Zero
HUBBARDand south ten-thousand.
HUBBARDBut overcast to the west.
HUBBARDWe have visibility
HUBBARDgreater than sixty miles.
HUBBARDThe surface wind from the east southeast
HUBBARDis three to six miles per hour
HUBBARDbelow five hundred feet.
HUBBARDThe rain has stopped.
PASQUALITAIn the summer dreaming was common to all of us,
PASQUALITAthe drumbeat hope,
PASQUALITAthe bursting heart of wish,
PASQUALITAmusic to bind us
PASQUALITAas the visions streamed
PASQUALITAand midnight brightened to belief.
KITTYDreamers wake in the night
KITTYand sing their songs.
KITTYIn the flame-brilliant midnight,
KITTYpromises
KITTYarrive, singing to each of us
KITTYwith tongues of flame:
KITTY"We are hopes, you should have hoped us,
KITTYWe are dreams,
KITTYyou should have dreamed us."
KITTYCalling our name.
OPPIEZero minus two minutes.
OPPIEThe two-minute warning rocket
OPPIEhas sputtered out prematurely.
TELLERThat was an ominous sign.
OPPIELord, these affairs are hard on the heart.
OPPIE(Nothing moves and nothing is heard, only a rhythmic
OPPIEcountdown over the loudspeaker. At 45 seconds, an
OPPIEengineer presses the timer switch. The tours begin
OPPIEfiring with haunting precision. "One, zero." A
OPPIEmournful silence and the beginning of a new era)
OPPIEEnd of the opera